Sunday, June 7, 2009

Pangramatic World News Update!!!

Forsaking monastic tradition, twelve jovial friars gave up their vocation for a questionable existence on the flying trapeze.


Two Tibetan monks represented the far east.

I caught up with one of 6 Franciscans who seemed to have found his true calling. "Really," he told me, "I felt like a stone on the ground, but now I feel light as air. Wheee!"

Here is a sketch of a Lay Brother from the Prayer Foundation, as he was moving too fast for a photo.

And this Orthodox monk seemed to have finally reached Theosis.

Etherealization

In college, a friend of mine wrote a paper on how society seeks to etherealize every aspect of life--communication, hardware, even human interaction reduced, reduced, and reduced again, with the end goal being what software is, a mere "specter", or imaginary thing. In a response to Derrida's Specters of Marx, Antonio Negri began to analyze from the perspective of the "Marxist-Deconstructionist" divide:
When the analysis passes from the hermeneutic and ontological viewpoint to the experience of the political, the picture given is terrible. The conspiracy against Marxism and the world evangilization of the free market, the construction of the global power 'without place' and 'without time', the structuring of the 'end of history', the media's colonization of consciousness and the impoverishment in the quality of work, the emptying out of meaning from the word 'democracy'--within individual countries and in international relations--these represent only a few of the hegemonic orders of capitalism in one phase of the spectral reconstruction of the real. How does one circulate within this new determination of being? .... It's at this crucial point that a discourse on ethical resisitance unravels, one that reflects on the experience of the gift and of friendship, that feels a certain affinity with the messianic spirit and reaffirms the undeconstructability of the idea of justice.

"The Specter's Smile" - Antonio Negri, in Ghostly Demarcations - Derrida, Eagleton, Jameson, Negri et al
While I don't agree with all of Negri's commentary (particularly his insistence upon the exploitaion and suffering of the Marxist agenda, though there is a certain worldwide sense of fear towards the extreme leftist end of things), one can empathize with a certain spirit of hesitancy to do away with that which is tangible. For me this was a semi-nostalgic desire to retain my cd collection and resist the wave of ipodification that swept the world in the past 5 years.

Monday, June 1, 2009

And the Fastest Way Between Two Points is...

Chapter 1, dimension two, is very elementary. Secondary school students should be able to appreciate it, but we think that, even if you know already what meridians and parallels are, you will enjoy the spectacle of the Earth rolling like a ball !
...
Mathematician Heinz Hopf explains his "fibration". Using complex numbers he constructs pretty patterns of circles in space.

My friend the Teddy Bear pointed me to this site on his Facebook account (god I hate that site!)

Comments on Location in Lear

While one can pull many quotes out of Lear to discuss and, by use of synecdoche, claim that each exemplifies the whole play, it is not as simple to do nor as defensible as in many of Shakespeare’s other plays. As in the others, the first thing to be taken into account must be the statement; second the speaker; and finally the context (an inversion of this order might be suggested, but it would not be as simple to explain, nor would it make sense until the conclusion).

However, in Lear, the latter consideration must be almost the greatest focus. For the complex situations in which the characters find themselves often lends to a confusion of context. For example, any of the statements of the Fool could be taken as such and regarded as reversals of tradition merely because of his role as the fool. However, when the situation has already been reversed (as when Lear bears “thine ass upon thy back” or makes “thy daughters thy mothers”), the role of the fool is not only to point out the situation at hand, but to create a reversal of the inverted situation.

In other words, when the fool speaks in the context of Lear’s madness, he is not merely speaking the truth in riddles, but speaking it from the midst of a riddle. Thus the role of place, context, and plot act in this play as figures of greater import than in Macbeth or Othello. In fact, location itself must be the key determinate in interpreting the statements of any character in this play.

For example, the short scene V.ii takes place in a “field between the two camps.” The exchange between Gloucester and Edgar here becomes not only representative of the “ill thoughts” (V.ii.9) in the play, but also the lack of established relationship; Edgar says, “Give me thy hand”, but Gloucester says that “a man may rot even here.” Thus, the location takes an integral role in showing the lack of safety in conventionally accepted places of truth.

By the way, my favorite Shakespeare quote of all time is in this play. I just love the last line of Edmund's soliloquy, read loudly and viciously:

Thou, nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moon-shines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam's issue? Why brand they us
With base? with baseness? bastardy? base, base?
Who, in the lusty stealth of nature, take
More composition and fierce quality
Than doth, within a dull, stale, tired bed,
Go to the creating a whole tribe of fops,
Got 'tween asleep and wake? Well, then,
Legitimate Edgar, I must have your land:
Our father's love is to the bastard Edmund
As to the legitimate: fine word,--legitimate!
Well, my legitimate, if this letter speed,
And my invention thrive, Edmund the base
Shall top the legitimate. I grow; I prosper:
Now, gods, stand up for bastards!

Tuesday, May 26, 2009

Unpredictably Irregular Poetry Exposure #8

"Skunk Hour"
For Elizabeth Bishop

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer
is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century,
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl
was auctioned off to lobstermen.
A red fox stain covers Blue Hill.

And now our fairy
decorator brightens his shop for fall;
his fishnet's filled with orange cork,
orange, his cobbler's bench and awl;
there is no money in his work,
he'd rather marry.

One dark night,
my Tudor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind's not right.

A car radio bleats,
"Love, O careless Love. . . ." I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--

only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.

I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.

-Robert Lowell

"The Armadillo"
For Robert Lowell

This is the time of year
when almost every night
the frail, illegal fire balloons appear.
Climbing the mountain height,

rising toward a saint
still honored in these parts,
the paper chambers flush and fill with light
that comes and goes, like hearts.

Once up against the sky it's hard
to tell them from the stars --
planets, that is -- the tinted ones:
Venus going down, or Mars,

or the pale green one. With a wind,
they flare and falter, wobble and toss;
but if it's still they steer between
the kite sticks of the Southern Cross,

receding, dwindling, solemnly
and steadily forsaking us,
or, in the downdraft from a peak,
suddenly turning dangerous.

Last night another big one fell.
It splattered like an egg of fire
against the cliff behind the house.
The flame ran down. We saw the pair

of owls who nest there flying up
and up, their whirling black-and-white
stained bright pink underneath, until
they shrieked up out of sight.

The ancient owls' nest must have burned.
Hastily, all alone,
a glistening armadillo left the scene,
rose-flecked, head down, tail down,

and then a baby rabbit jumped out,
short-eared, to our surprise.
So soft! -- a handful of intangible ash
with fixed, ignited eyes.

Too pretty, dreamlike mimicry!
O falling fire and piercing cry
and panic, and a weak mailed fist
clenched ignorant against the sky!


-Elizabeth Bishop